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Ray Monde - The Place Where We Feel Most Us
What's on
All shows
Workshops & classes
Artists
Ben Randall
Bravo Domino
Cassandra Dove
Chantal de Kock
Chris Sutton
Claire Cummack
Col Nelson
Emily Eldridge
Emma O'Connell
Good Hope Pottery
Jaqueline Burgess
Jeffree Skewes
Jessica Olpp
Jo McFadyen
Jules Bulleid
Kate Cox
Lani Shea-An
Laura Prochowski
Lindi Forde
Moody Rabbit (Hannah Goggs)
Rachel Moodie
Ray Monde
Sally Rasmussen
Sam Suttie
Sara Phemister
Sarah McDonald
Slavica Zivkovic
Sophie Perez
Uschi Novinc
Valeska Tilly
Woman of the South
News
Stockroom
About
Contact
Tyger Gallery
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Ray Monde - The Place Where We Feel Most Us
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Chantal de Kock
Chris Sutton
Claire Cummack
Col Nelson
Emily Eldridge
Emma O'Connell
Good Hope Pottery
Jaqueline Burgess
Jeffree Skewes
Jessica Olpp
Jo McFadyen
Jules Bulleid
Kate Cox
Lani Shea-An
Laura Prochowski
Lindi Forde
Moody Rabbit (Hannah Goggs)
Rachel Moodie
Ray Monde
Sally Rasmussen
Sam Suttie
Sara Phemister
Sarah McDonald
Slavica Zivkovic
Sophie Perez
Uschi Novinc
Valeska Tilly
Woman of the South
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Lot 489 acrylic, oil, oilstick on ply, oak frame 51 x 41 cm 2024 Kay Wood.jpg
Lot 489 acrylic, oil, oilstick on ply, oak frame 51 x 41 cm 2024 Kay Wood 2.jpg
Shop LOT 489 | Kay Wood

LOT 489 | Kay Wood

A$1,200.00

This stunning work by Kay is acrylic, oil, and oilstick on board, 50X40cm. It is part of Living in Another World at Tyger.

Add To Cart

LOT 489 | Kay Wood

A$1,200.00

This stunning work by Kay is acrylic, oil, and oilstick on board, 50X40cm. It is part of Living in Another World at Tyger.

Add To Cart
  • Kay's work dances around a spontaneous and instinctive expression where paintings, clay and other relief type works combine (and recombine) the various formal elements of her practice. An attitude of playfulness is valued as the way to keep the creative door always open. Surfaces can vary from roughly hewn and densely coated to a thinner and more delicate use of paint, texture and materials.

    Mostly abstract to look at, Kay's work can also allude to, or involve, a figurative expression, emanating from her interest in fractal geometry and the infinite unseen intricacies of the universe. Fragments are an important element in her work, not being subsumed to the whole but asserting their presence within work without necessarily making any sense.

  • “In my practice I don’t always make work that specifically references landscape; however all my work is about myself and my relationship to the phenomenal world. As said by another, ‘our bodies and senses are in constant interaction with our surroundings that, in turn, give our consciousness its concrete contents’ (Gadamer).”

    “And what is foundational to how I see myself in the world are my childhood experiences on a farm in the Great Southern of Western Australia. The way the land was organised into varying rectangles and squares, punctuated with round water sources, and sat, always, looking up at the diversity of a huge Karri forest that ran the entire length of our eastern boundary – this specific environment contained the shapes and colours that have stayed in my psyche and emerge on a daily basis in my work.”

    “As a child these encounters with the landscape were steeped in wonder, freedom, autonomy and self-determination. Abstraction is said to be our first language – the one where we see and understand a tree without even having to know its name and memory is said to operate poetically and in an abstract way when it draws on seminal experiences of the past in the present day.”

    Kay Wood, 2024

  • Shipping to anywhere in Australia is just $30 for this work. International shipping is available on request.

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Tyger Gallery
Memorial Hall
84 Comur Street
Yass, NSW 2582
0466 243 684 | hello@tygergallery.com.au

Tyger Gallery acknowledges the Ngunnawal people, the Traditional Owners of the land where our Gallery is situated. We acknowledge the continuing connections to land, waters and community. We acknowledge Traditional Owners of Country throughout Australia and we pay our respect to them; and to Elders both past and present.

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